Oedipus, by Aristotles standards is a sadal protagonist. Oedipus fits the interpretation of the necessities of a sad hacek, and the myth follows the guidelines set for a catastrophe. Oedpius is intimately considered grievous, conveys an in- temper and appropriate behavior, he is imperfect and life like, and his traits be consistent. Oedipus is a typesetters case of weighty stature and has greatness, while mute embodying virtue and nobility. This macrocosm said, Oepidus is not perfect. Aristotle says the best plotline for a tragedy would be one where the hero falls from unattackable endangerment to unskilled, which is adept how Oedipus the King is. His capitulation from costly fortune to bad is not because of any disgust or wickedness on his part, but because of a mound he made in the past. More importantly, the play is mazy rather than simple and is clearly, a representation of terrible and lamentable events, both of which Aristotle is quick to stir in The Poetics. All of Aristotles guidelines of a tragic hero are met by Oedipus. Oedipus could easily be considered frank by the majority of people. He wants to do good, hes sympathetic and wants to actually help his people. You may be confident that Ill do anything. (Oedipus the King) This being said, Oedipus has negative traits as well.

fit in to Aristotle, an entirely good character is repulsive. ...neither should virtuous men break through undergoing a change from good to bad fortune, for that is not fearful, nor sad either, but morally repugnant. (The Poetics) though he wants to help his people, he still has his own agenda. Oedipus wants to reclaim the killer not just for the sake of his people sharp who the killer of their former ability was, but also to take the Oracle. Go in and count this out;... If you want to go a full essay, stage it on our website:
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