Musical Analysis of The Telecasters The Telecasters is a break-dance of the Shakespearean Suite that dates brave from 1957, also cognize as Such Sweet Thunder. The Suite, a 12-part piece, generally is a amaze of collages that each portrays, melodyally, one of the known Shakespeare characters-like Othello (who appears in the title number), Cleopatra (in half The Fun), Romeo and Juliet (in Star-crossed Lovers). The movement that I picked up for epitome, The Telecasters is not divers(prenominal) from the other movements in this eyeshot: The Telecasters, represents the Three Witches (three trombones) and Iago (Harry Carney). While the programmatic laying claim may be tongue-in-cheek, its hostile of two dark change demonstrates the principles of Ellingtonian counterpoint. Due to the scales of the paper, I am not going to discuss issues that stage business the general style of Strayhorn and/or Ellington in an attempt to guess aspects of compositional writing, since this type of examine might probably need, as a back-up, more and pure(a) (in some(prenominal) quantitative and qualitative senses of these words) attempts of analysis and documentation of the way of those rhetorical aspects in the composer(s)other repertoire.

In spite of that, however, whenever thither are impinging tendencies that I feel should be mentioned, (and thither are instead a few of those) I get out try to create germane(predicate) connections, both to my previous noesis of Ellington/ Strayhorn pieces, and not so surprisingly, to east modes that seem to be of greater influence in the music of Strayhorn and Ellington in the later long time of their careers. These connections are in the important intuitive, and nevertheless, I am presenting them here, with the rely that, the audial grasp of the music, as substantially as the logic I present regarding the organization of the large(p) structure in The Telecasters leave become better and clearer in retrospect, If you want to get a full essay, order it on our website:
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